Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Sunday, October 31, 2021

Five Higgins Horrors for Halloween

To celebrate Halloween, we have put together five Higgins Horrors for you to enjoy on the creepiest day of the year. Find out more about the spooktacular objects and artworks in our collections, if you dare…

Do You Want to Play?


Bobalicon by Francisco Goya c.1818-19

'Bobalicon' (Simpleton) is part of Francisco Goya’s last series of prints ‘Los Disparates’ (The Follies) that were published 30 years after his death. Though the meaning of this print is unclear, it was made during a time of political and social upheaval in 19th century Spain. In this nightmarish scene, Goya shows the grotesque side of carnivals with a giant dancing castanet-player, transformed into a disturbing figure and surrounded by ghostly faces. His audience consists of a man hiding behind his female companion who is scared rigid by the sight.

Spellbound


Witch Bottle

This witch bottle dates back to the 17th century and was found buried at Renhold. Witch Bottles were used as counter-magical devices for protection. Folk healers would mix together a variety of ingredients inside, including rosemary, red wine, seawater, thorns, sand, oil, hair, nail clippings and urine. The witch bottle would then be buried or hidden away where no one could find it. For the spell to work fully, the bottle had to remain hidden and unbroken. You can see this Witch Bottle on display in the Collectors Gallery.

Medieval Monsters


13th Century Corbel

This carved stone corbel was once part of Bedford’s St. Paul's Church during the 13th century. Medieval corbels were often decorated with angels placed high on the walls overlooking the congregation. However some churches depicted demons, gargoyles and grotesque figures as a reminder of ever-present evil. It was also thought that these terrifying corbels could serve as protection against harm and defend those within the church by fighting the Devil with his own. You can see this medieval corbel on display in the Settlement Gallery.

Very Superstitious


The Desiccated Cat

In the 17th century cats were regarded as being particularly gifted with a sixth sense and having a connection with the afterlife. It was believed that they could protect the home and guard against evil spirits, witches’ spells and curses in relation to the common superstitions of the time. They were intentionally hidden in walls, floors or attics, sometimes with the cat’s innards removed, dried and stuffed with straw. They were often placed into hunting positions to help protect the family home.

Double Double Toil and Trouble


Macbeth and the Witches by Richard Westall c.1797

This drawing is based on the three weird sisters from William Shakespeare's play, 'Macbeth'. It is set during Act One, Scene Three in the middle of a thunderstorm, upon a ‘blasted heath’. Here the witches share their wicked deeds, voice their incantations and predict Macbeth's future before vanishing into the air. Westall follows the description of the scene closely as the thundering sky and grotesque appearance of the witches give a sense of foreboding and doom.

‘So withered and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't?’

Written by Rebekah Matus, Audience Development Officer


Thursday, July 16, 2020

Three Glittering Bowls

When you next visit The Higgins Bedford, put a little time aside to pop into The Settlement Gallery to stroll round and explore our local archaeology.

Our story begins with a very brief look at the geology of the area and moves swiftly into the Prehistoric period with bones of long gone Woolly Mammoths, Rhinoceroses’ and Cave Bears. The displays continue in chronological order and end with the siege of Bedford Castle and the beginnings of the medieval town.

About half way through your journey your eye will be caught by 3 large glittering copper alloy bowls. The bowls were found buried together in a deep pit in 1856 by workmen building the railway line near Sandy.

The bowls, measuring between 7cm and 11cm high and 23 cm and 31 cm in diameter, are very thin, about 2m thick and they are very lightweight. All three bowls are plain and undecorated apart from simple fluting around the rim edge. Each bowl would have been made by a skilful craftsman beating the shape out of a single sheet of copper alloy.

The bowls are Roman in date and would have originally formed part of a table service belonging to a wealthy household, probably a family living and working in the busy town of Sandy.

Quite why this nest of luxury metal bowls came to be buried near Sandy, we will never know. The most likely explanation could be related to the upheaval and the crumbling of the Roman administration in the province of Britannia, as the Roman Empire went into decline in the late 4th to early 5th century AD.

This transition would have affected all levels of society and many people would have faced an uncertain future. It is quite possible that the owners of the bowls fearing for their future decided to deliberately bury these valuable items to safe guard them until they could return at a later time to dig them up.

Written by Liz Pieksma, Keeper of Archaeology

Friday, June 26, 2020

The Apulian red-figured Amphora

In the collections, there is a large and colourful ancient vase. Recently we decided to take this vase out of the store and put it on display in the Collectors Gallery. You may remember a blog from a few months ago, The Volunteers biggest nightmare? written by Derek Niemann.

Once the vase was safely locked in the case we stood back and began to ponder what story was being told with the two beautifully painted scenes on each side of the vase.

Other questions flooded in such as: How old is the vase? Where was it made? Who owned it?

The answers as it turns out were more exciting and complex than we thought.

The vessel is actually a wheel-made red-figured amphora (a jug with two handles and a narrow neck) and can be dated to 350 BCE.

Large painted vessels of this type are associated with Greek potters who moved from their homeland in the 8th century BCE to set up their own specialist pottery workshops in Apulia, specifically in the town of Taras located in the “Heel” of southern Italy. The settlement of Taras was a thriving port during the Greek and Roman empires, and still is today.

The painted scenes, one on each side of the amphora, illustrate two types of funeral. The scene on side 1 shows a grand temple-like structure with a woman walking into the tomb, carrying a wreath, a white sash and a box. The woman is symbolically painted in white to tell us that she has died and is crossing from our world into the next. She has two female mourners outside, holding ritual bucket-like vessels and torches, who watch over her final journey.

The scene on the other side shows a more simple style of funeral ceremony. Two male mourners face each other across a simple box-shaped tomb. The tomb has a zigzag decoration at the top with a black sash tied around the middle.

The one answer we will never know is who owned this ancient amphora. Nevertheless, we now know far more about this wonderful pottery vessel than we did before.

The Higgins Bedford thanks Alan Johnston, Emeritus Reader in Classical Archaeology at University College London, for his identification and generous advice on the story behind this Apulian red figure amphora. 

Written by Liz Pieksma, Keeper of Archaeology

Friday, May 15, 2020

Winning the War in the Fields - The Contribution of the Women’s Land Army during WWII

As we see people across the country growing their own fruit and vegetables during lockdown, and farmers struggling to be able to harvest the food in their fields, we are reminded of the women who worked tirelessly on the nation’s farmlands and market gardens to produce food during a time of rationing. 

Before the Second World War, Britain imported two thirds of the country's food by ship. When the war started in September 1939, shipping was attacked by enemy submarines and warships and cargo ships were requisitioned for war materials rather than food transportation. This resulted in food shortages, rationing of foods and materials, and increased necessity of self-sufficiency in food production.

Rita Woodward demonstrating her driving skills on Clophill Farm, 25 March 1941, Bedfordshire Archives, (Bedfordshire Times Archive), Ref: BTNeg1049/2

The first Women's Land Army was recruited as a civilian labour force during the First World War. Women were recruited to help farmers, replacing thousands of male farm workers who had joined the armed forces. Traditionally women's work on farms was limited to dairy work, looking after hens and egg production, caring for young animals and occasional seasonal harvesting work. Now women aged 18 and over were invited to do paid general work for local farmers. 

Take-up by farmers was slow because of conservative attitudes to the role of working women. It was difficult to persuade women to take on low-status work on the land. During the First World War, 23,000 women across the nation trained up and took on farm work, with 16,000 'land girls' working around the country. In Bedfordshire, 550 Land Girls worked for 90 farmers.

 Women’s Land Army Recruitment Parade, Bedford, 1 June 1940, Bedfordshire Archives, (Bedfordshire Times Archive), Ref: Z50/13/312

The Land Army was reinstated at the start of the Second World War, anticipating the need to recruit women to assist with farming and food production for soldiers abroad and the civilian population at home. Lady Denman, director of the Land Army, set up county committees. The WLA set up accommodation in the neighbourhood of farms for the land girls. Young women were expected to take over from experienced male farm workers who were called up into the armed forces, or left for better-paid war work elsewhere.


The Bedfordshire county WLA headquarters was at St. Paul's Square, later moving to Harpur Street in June 1942 where it remained until November 1949. 

First intake of Milton Ernest hostel land girls, Harpur Street, Bedford.
(Bedfordshire Times Archive), Bedfordshire Archives, Ref: BTNeg1290B

Recruitment locally was slow and only a handful of volunteers signed up, 24 were serving by end of December 1939, 53 by December 1940 and 140 by December 1941. The land girls were on minimum pay for a 50 hour working week in summer and 48 hours in winter. Pay was 28 shillings (£1.40p) per week, with 14 shillings (70p) deducted for board and lodging. This was less than half the national average for unskilled labour in other occupations and 10 shillings (50p) a week less than male agricultural workers. 

As a result of conscription in November 1941, Bedfordshire WLA had 506 land girls by December 1942, 792 by mid-1943 and 1006 in December 1943. 

Land girls dining at the new Milton Ernest hostel, 1942, (Bedfordshire Times Archive), courtesy of Stuart Antrobus, Source: B Nichols, Ref:BTNeg1315/1315B

From 1942 increasing numbers of women were being employed directly by Bedfordshire "War Ag" (Bedfordshire War Agricultural Executive Committee, or WAEC) and housed in hostels around the county. 

They were transported daily to surrounding farms, according to the seasonal needs of the farmers. Large numbers of recruits were from London, Essex and the northern counties of England (especially Yorkshire mill towns}.

There were seventeen residential hostels housing large groups of Land Girls and accommodation ranged from 16 in a farmhouse to 40 in huts and, exceptionally, to 100 in a large country mansion in Cople. Each hostel was encouraged to be self-sufficient in growing its own vegetables.

40 land girls were giving accommodation at the new Milton Ernest hostel, 1942, courtesy of Stuart Antrobus, Source: B Nichols. Ref:BTNeg1315/1315B

Hostel girls benefited from the company and support of other land girls both when working and during their time off, but life could be lonely and isolated for single land girls working on private farms.

Inter-hostel rivalry, Sharnbrook House sports day, July 1945, Bedfordshire Archives, (Bedfordshire Times Archive), Ref: BTNeg2141

There were three training centres at Luton Hoo, Toddington Park and Ravensden. Some Land Girls attended 4 weeks of induction training in milking, arable work and animal husbandry before being sent to work. 

Many land girls had to train on the job, but there were opportunities later to learn to drive tractors or do specialist training and pass tests to achieve proficiency certificates.

Farmers were set almost impossible challenges during the war. Bedfordshire War Ag. (Beds WAEC) set Bedfordshire farmers a target of 10,000 new acres to be ploughed up during 1940. Amazingly, they achieved 17,000 new acres of arable land.

Land Girls working on a haystack speaking to passing schoolboys at Great Barford, 13 May 1941, Bedfordshire Archives, (Bedfordshire Times Archive), Ref: BTNeg1081/1

Reclamation of previously uncultivated land was helped by the introduction of caterpillar tractors and other agricultural machinery from America, thanks to the Lend-Lease arrangement. Bedfordshire War Ag. was able to loan machinery to farmers who could not afford to buy their own and increasingly, land girls became expert mechanics on the farm. 

At the beginning of the war, two thirds of Britain's food was imported but by the end of the war, two thirds of Britain’s food was produced at home. Bedfordshire's land girls played a vital role in increasing self-sufficiency during the war. 

Land Girls in Bedford High Street, V E Day, 8 May 1945 (Bedfordshire Times Archive) Ref:
Z50/142/796

Their wartime contribution was finally recognised in 2007/2008 when the Government created a Veterans Badge which could be applied for by any surviving Land Girls (and Lumber Jills of the Women's Timber Corps) and events were arranged in every county to celebrate their wartime efforts.

I will finish with a poem from Hilda Gibson, who was a Land Girl and wrote about what it meant to her to finally receive recognition to her contribution to the war:

We're still standing

Rally round the badge girls,
Welcome it with pride.
Remember those no longer
Walking by our side.
Eighty thousand volunteers 
Of independent mind.
No marching, drilling or salutes,
Our roles were well defined.
Hard labour was our remit,
Each working hour to fill.
Livestock, crops and woodland 
We nurtured with a will.
We found fresh fields and pastures new 
In unfamiliar places.
Young sons of toil called up to arms,
Each man a girl replaces.
Frost bitten toes and fingers,
But wait! We soon will find 
As Shelley wrote: "If winter comes, 
Can spring be far behind?"
Our joy was summer sunshine 
And red gold autumn days
When leaves fell soft as snowflakes
And stirred the smoky haze.
As years roll by we live our lives,
The girls that time forgot.
We hoped one day someone would say: 
"You did well, thanks a lot".
Now better late then never,
At last we hear the call,
The Cinderella army 
Is going to the ball.

By Hilda Gibson, Land Girl

There are very few Land Girls still, alive. Zeita Hole nee Trott, who lives in Bedford, is one of them. Here are some links to her story from the BBC VE Day commemorations:


Acknowledgements: I would like to thank Stuart Antrobus for the information and images provided in his publication ‘We wouldn’t have missed it for the world, The Womens Land Army in Bedfordshire 1939 – 1950’, and Bedfordshire Archives for the use of their archive images. The sound clips are taken from the BBC Peoples War archive for which I would like to acknowledge the work of Ann Hagen and Jenny Ford.

Written by Lydia Saul, Keeper of Social History

Monday, April 27, 2020

Bedfordshire's Breweries - Whitbread Brewery

Samuel Whitbread was born in 1720 at Cardington. At 14 he was sent to London to become an apprentice to a brewer, John Witman. Samuel then went into partnership with Godfrey and Thomas Shewell and by 1750, they started operating a shared brewery site on Chiswell Street. Samuel Whitbread created the first purpose-built mass-production brewery in the UK and over the following years, Whitbread became a household name.  In 1765 Whitbread bought Shewell out and by 1800 the brewery was the largest in London. Samuel Whitbread was a pioneer of new brewing techniques and in 1784 installed the first ever steam engine, designed by famous engineer, James Watt.


Samuel Whitbread II (1758-1815) by John Opie Fp.71

Building on his success with the brewing business, Samuel Whitbread decided to enter politics, and was elected as a Member of Parliament for Bedford in 1768, a seat he held until 1790. The year before his death in 1796, Samuel Whitbread bought Southill Park, a 17th century house, remodelled by George Byng, 1st Viscount Torrington.


Ashtray advertising Whitbread’s Brewery company, Chrystal Collection, BEDFM 2008.42.58

Samuel Whitbread's son, another Samuel (1758-1815), is probably the most well-known member of the family. He was born in Cardington and entered the family brewing business in 1786. In 1787 King George III and Queen Charlotte paid a visit to Chiswell street and according to the newspapers of the day, the King was ‘wonderfully pleased’ with the innovative steam engine.


W H Allens Sports and Social Club Darts championship trophy presented by Whitbread and Co. Ltd, BEDFM 2011.6.22

Samuel entered parliament as member for Bedford, his father's old seat, in 1790. Whereas his father had been a Tory, Samuel junior was a Whig.  A zealous reformer Whitbread campaigned for the abolition of slavery and for a national system of education. He was the leader of the Whig party, the opposition, in parliament after the death of Charles James Fox in 1805. He made the mistake of championing Napoleon's reforms in France and came to be seen as a supporter. During 1814 Whitbread began to suffer depression, which sadly led to his suicide, on 6 June 1815, just twelve days before the battle of Waterloo.


The Whitbread family still live at Southhill Park and continued in the brewing business until it was sold in 2000.

Written by Lydia Saul, Keeper of Social History 

Saturday, June 8, 2019

Celebrating Refugee Week 2019

Refugee Week is a nationwide programme of arts, cultural and educational events that celebrate the contribution of refugees in the UK and encourages an improved understanding between communities.

Discover stories of displacement, explore the lives of refugees and the people who welcomed them throughout the generations, based on this year’s theme – You, Me and Those Who Came Before.

Refugee Week Launch
Saturday 15th June
11am – 4pm, Free


Celebrate the beginning of Refugee Week with live music, talks, poetry, creative workshops and stalls.



The 25th Commemoration of the Rwandan Genocide Against the Tutsi
Saturday 15th June
2pm - 5:30pm, Free

Hear stories at the Urumuri commemoration for the 25th anniversary of the Rwandan Genocide against the Tutsi.

Explore Kwibuka Rwanda – Remebering Rwanda, an exhibition developed by Dr Julia Viebach and Pitt Rivers Museum that looks at the memorials marking the sites where the genocide took place.

Working in collaboration with URUMURI Association

Knit-a-thon
Tuesday 18th June
11am – 4pm, Free

Get creative and meet other like-minded crafters to knit and crochet items such as hats, socks, gloves, and blankets for refugees across the globe. All items will be distributed by UK charity Knit for Peace.

To register interest or to support the event with some knitting to be delivered, please email gemma.hutton@bedford.gov.uk.


Pop-up Museum #You, me and those who came before
Wednesday 19th June
11am – 3pm, Free
Bedford Central Library

Bring the stories and objects that you, your parents and grandparents have brought with them from their home countries to share and celebrate at this Pop-Up Museum.

What favourite things did you, your parents or grandparents, bring with them to start life in the UK?

This Noisy Isle
Saturday 22nd June
Perfromances from 10am - 3pm
Adult: £8 / Child £6

Inspired by William Shakespeare’s The Tempest, enjoy This Noisy Isle, an outdoor treasure-hunt style performance for 7 to 11 year olds and their families.

This interactive adventure explores the refugee crisis in a new and inventive way and gives viewers the chance to solve puzzles, meet mysterious characters, navigate the choppy seas and more.

Each performance is limited to 16 patrons - Book Tickets Here.

Working in Collaboration with Spun Glass Theatre and The Place Bedford.

Windrush Family Day & Global Kitchen
Saturday 22nd June
12pm - 5pm, Free Entry

Celebrate National Windrush Day and Bedford's Windrush Generation with a day of face painting, music, folk songs, dancing, dominoes, food and Windrush stories.

Working in Collaboration with Arise In Bloom, Nubian TeachingsFriends Of RefugeesUrban Adventures (Natures Gifts)Bedfordshire Opportunities for Learning Disabilities (B.O.L.D)Retired Caribbean Nurses of Bedfordshire (RCNA)